Given a choice between Ouija and the rest of the Halloween-targeted horror releases this year, I would pick Ouija any day, says Paloma Sharma.
Did the human drama provoked by the Japanese invasion of Burma and the Indian exodus from Rangoon inspire director Vishal Bhardwaj's forthcoming epic?
And no, the list doesn't start and stop with Boman Irani!
'Before we started shooting 36 Vayadhinile, I watched Jyothika's previous films. I told her that I did not want the old Jyothika. I wanted to present a completely new Jyothika.' Director Rosshan Andrrews discusses his well-reviewed film.
Riteish Deshmukh on movies, Genelia and what he'd like to teach his sons.
A clutch of professional talent management firms is changing the balance of demand and supply in India's entertainment industry, writes Vanita Kohli-Khandekar.
'I am just making a creative film. It has nothing to do with propaganda.'
In this special series, we re-visit great Hindi film classics. Today, we look back at Amitabh Bachchan and Nutan's 1973 film Saudagar.
'Anu Malik has great respect for lyrics and lyrics writers. He has worked with big important people through the '80s and the '90s -- everyone from Gulzar and Majrooh Sultanpuri. He treated me with great respect.' 'I don't think the AIB controversy will affect any comedian who can think right and straight, who is clear about his comedy and politics.'
And you won't guess which film tops Raja's list! And why.
'Kumbalangi Nights is a movie that respects women, but most importantly, it's a movie that loves them,' says Sreehari Nair.
Meet Srihari Sathe. Producer. Director. Professor.
'I have been a part of more than a dozen films as a cinematographer but this was the smoothest shoot of my life. There was not a single day, when I wondered how a particular shoot would be done.' Meet Running Shaadi director Amit Roy.
'The dark side is not me; I am a mama's boy,' Ganesh Venkatraman tells S Saraswathi.
From Boyhood to The Grand Budapest Hotel, we've seen some brilliant cinema this year.
'We asked Shashank Arora to go at nine in the morning and shit on the beach. We wanted him to sense what it feels like to have no personal space.' 'We wanted my father not knowing what he was doing, because it reflects on the kind of character he is in the film. Not giving him the script added to the situation the actor is in.' 'We would not say good or anything encouraging to Ranvir Shorey after each shot. We would not even talk to him.' 'We were always trying to get people out of their comfort zone. I think that's when the acting stops and something organic starts to come out.' Kanu Behl -- who has directed one of the most awaited films of the year, the most unusual movie Yash Raj Films has ever produced -- discusses Titli with Aseem Chhabra/Rediff.com
Talented, rebellious, obsessive: Ranjita Ganesan and Dhruv Munjal find traces of the actor's different streaks in Mandi, Chandigarh and Mumbai.
Saurabh Shukla, Piyush Mishra and Sanjay Mishra are not likely to be in the limelight when a film releases, but they are the ones who eventually light up the movie.
'Love yourselves. Embrace all that this life has in store for you, let your heart be as deep as the deepest ocean and as wide as the farthest horizon.' Beautiful words from Shah Rukh Khan.
'I don't know how they dared to send Krrish for a National Award. It was a horrible film! Films like Dabangg and Bang Bang are trash films. Goliyon Ki Rasleela: Ram Leela was so bad; only the music was good. Straight talk from Garm Hava director M S Sathyu.
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