Meet Srihari Sathe. Producer. Director. Professor.
'I have been a part of more than a dozen films as a cinematographer but this was the smoothest shoot of my life. There was not a single day, when I wondered how a particular shoot would be done.' Meet Running Shaadi director Amit Roy.
'The dark side is not me; I am a mama's boy,' Ganesh Venkatraman tells S Saraswathi.
From Boyhood to The Grand Budapest Hotel, we've seen some brilliant cinema this year.
'We asked Shashank Arora to go at nine in the morning and shit on the beach. We wanted him to sense what it feels like to have no personal space.' 'We wanted my father not knowing what he was doing, because it reflects on the kind of character he is in the film. Not giving him the script added to the situation the actor is in.' 'We would not say good or anything encouraging to Ranvir Shorey after each shot. We would not even talk to him.' 'We were always trying to get people out of their comfort zone. I think that's when the acting stops and something organic starts to come out.' Kanu Behl -- who has directed one of the most awaited films of the year, the most unusual movie Yash Raj Films has ever produced -- discusses Titli with Aseem Chhabra/Rediff.com
Talented, rebellious, obsessive: Ranjita Ganesan and Dhruv Munjal find traces of the actor's different streaks in Mandi, Chandigarh and Mumbai.
Saurabh Shukla, Piyush Mishra and Sanjay Mishra are not likely to be in the limelight when a film releases, but they are the ones who eventually light up the movie.
'Love yourselves. Embrace all that this life has in store for you, let your heart be as deep as the deepest ocean and as wide as the farthest horizon.' Beautiful words from Shah Rukh Khan.
'I don't know how they dared to send Krrish for a National Award. It was a horrible film! Films like Dabangg and Bang Bang are trash films. Goliyon Ki Rasleela: Ram Leela was so bad; only the music was good. Straight talk from Garm Hava director M S Sathyu.